The Mac-exclusive Final Cut Pro X is the very definition of a prosumer video editing program. Descended from a much more expensive professional tool, it attempts to bridge the space between consumers who want something powerful but simple and easy , affordable, and professionals who can’t bear to lose just one piece of functionality.
The result, surprisingly, is definitely an innovative, elegant, and unusual video editing program that serves a lot of people within both categories-as long as they have Macs. Apple delivers a 30-day trial offer, and also the full package costs $299.99 from your Mac App Store.
When the first version of Final Cut Pro X became available in 2011, replacing the more robust Final Cut Pro utilized in professional editing bays around the globe, it absolutely was not well accepted by the professional community because many important features, like multi-camera editing, was lost in the transition.
With version 10.4, Apple has greatly expanded the professional color tools obtainable in the application. Such as additional uses in the eyedropper tool, a dedicated color tab, and powerful color curves and hue/saturation curves which allow you to make very precise adjustments. Apple also added keyboard shortcuts that will make the equipment user friendly.
Final Cut Pro X may not be a mainstay in Hollywood again, but it doesn’t necessarily must be. It offers a lot to independent creators of all.
Apple’s magnetic timeline is different from what you could have used before, however it might grow for you.
Final Cut Pro X will not be afraid to sacrifice some sacred ideas about video editing workflow. Experienced video editors is going to be surprised that this timeline is not really presented in how they’re accustomed to, although it shares some core ideas. Final Cut Pro X requires a different approach as to what it calls just one track, “magnetic timeline,” but it’s equally as functional in most cases.
Keeping your job organized and efficient is created easier using a feature called “roles.” Each video or audio asset may be allotted to a part-say, “dialogue,” or “titles”-and you could apply changes to people assets as being a set. Additionally, the latest version of Final Cut now color-codes those assets within your timeline, which makes it easy to see the elements of your story instantly.
You can include and take off virtually every element of Final Cut’s interface using keyboard commands or even the drop-down menus within the status bar-and you may create custom layouts with precisely the features you would like for many different situations. Nevertheless, you can not detach specific interfaces within their own windows, or click and drag them freely around the workspace, as if you can in many competing software.
The provided titles and effects are well-crafted.
Final Cut includes a lot of effects, titles, and transitions. It doesn’t beat some other software in sheer numbers, but the quality is high throughout the board, and you could generate additions from third parties ibdywt expand the library.
Importing and exporting are easy. The importing tool is particularly strong: You can preview the video and apply color correction and correct audio problems from the importing interface. You are able to apply roles to assets right away, too, or have them automatically assigned. Automatically, the application can export to 720p, 1080p, and 4K in video formats for Apple devices (H.264), to DVD, as well as Facebook, YouTube, and Vimeo. 4K is supported for YouTube and Vimeo.
Due to a newly released update, Final Cut now supports the HEVC video format (also known as H.265). This is particularly useful for 4K video because it usually results in smaller file sizes for top-quality videos. Apple recently updated macOS High Sierra to support this format, and it’s the default format for videos taken on iPhones.
Company Name:
Pixel Film Studios
Company Address:
120 Vantis Dr.
Suite 300
Aliso Viejo, California
About Company:
Established in 2006, Aliso Viejo, California-based Pixel Film Studios is an innovative developer of visual effects tools for the post-production and broadcast community. Their products are integrated with popular non-linear editing and compositing products from Apple FCPX.